Alejandro Co’s work carries the ductility and fluidity that accompanies his generation. He transitions from one object to another effortlessly, with solutions borrowed from the past.

The strangeness he perceives in his daily life, that which he considers unusual and which continues to impact him day after day, finds in his work an ideal scenario for its recreation.

Evelyn Aguilar insists on reminding us that her works are based on the intrinsic experience shared with others: her family, her friends, their absence and objects.

The black and white portrait takes new forms in the hands of Jordan Rojas, who is a self-taught artist and has given great importance to longevity in his work.

Rolando Galindo in his work establishes a relationship with historiography, generating documentary collections, by questioning the concept of authorship.

Yuri O’Hallorans creations are a fusion of feelings and empathies. Pride, passion and intelligence stand as equal parts of an apparent proximity.

Olivia Torres seems to be in constant symbiosis with the place she inhabits, she has taken on the task of breathing life into ISA with her series entitled “Microcosmos”.

Angel Alonso’s work finds its axiomatic foundation in the search for the human; that is, in the action-reaction of the individual’s behavior.

Harold Ramirez pays homage to the deceased, drawing from the same scenario, he introduces himself in the biography of beings who ceased to exist physically.

Eldy Ortiz forces us to look at the uncomfortable image, both in his photographs and performances, as well as in his paintings and drawings. He has found a prolific space for expression.

Bernardo Valdes proposes a reflective painting, figurative-relatora of common human everyday life, exposed to the sovereignty of the sky as a metaphor for God.

Angel Leon Valiente’s work has always maintained an interest in emotions and personal conflicts, and his concern for time has always been present.

Marlon Infante is a perfectionist of technique, he pretends to be a meticulous artist. He takes care of the detail, each oil brushstroke finds the right place on the canvas.

The painting of Alberto Hernandez Reyes is a retreat and a gesture of reaffirmation in the world. Devoted to the landscape genre, he seems to delineate a spiritual journey into the inner self.

Drawing is the quintessence of painting, sculpture and architecture. It is the root of all art, and whoever masters it enjoys an incalculable power…

Alberto Lorente starts from chaos without being obsessed with perfect interpretation, free of ideologies: he clones beings in themselves that are incomplete.

Miriannys Montes de Oca has reinterpreted in her work the duality that stirs within us, where we move from a self-recognition to an external split.

Felipe Alarcón lets images of historical figures, intellectuals and Afro-descendant artists peek through transparencies and glazes in his paintings.

Uncertainty is a recurring element in Ronald Vill’s production, no strong statements are witnessed, only what is necessary to raise suspicions is revealed.

Brian Sanchez’s painting is compulsive and intense, it simulates and transvestites the deepest desires, it achieves through it timelessness, awe and gloom.

The artistic capacity of Jorge César Sáenz for sculpture and painting seduces and envelops us, with naturalness, subtlety and elegance, it is a temporary journey to the Middle Ages.